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Solaris (1972) [Blu-ray] {Solyaris}
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Rated: |
PG |
Starring: |
Donatas Banionis, Natalya Bondarchuk, Nikolai Grinko. |
Director: |
Andrei Tarkovsky |
Genre: |
Adventure | Drama | Mystery | Romance | Sci-Fi |
DVD Release Date: 05/24/2011 |
The Criterion Collection [Blu-ray]
--- Subtitled ---
Ground control has been receiving strange transmissions from the remaining residents of the Solaris space station. When cosmonaut and psychologist Kris Kelvin is sent to investigate, he experiences the strange phenomena that afflict the Solaris crew,
sending him on a voyage into the darkest recesses of his own consciousness. In Solaris, the legendary Russian filmmaker Andrei Tarkovsky (Ivan's Childhood, Andrei Rublev) gives us a brilliantly original science-fiction epic that challenges our conceptions
about love, truth, and humanity itself.
This film is very slow paced and for some, a little too subtle. But if you go into it understanding that, there is a huge amount that one can get out of this film. It is extremely psychologically charged. The whole film is a metaphor for having our
deepest desires come true and what the consequences may be. His slow shots, one in particular where Hari is looking at the paintings in the library, allow the viewer of the film to understand that she is becoming human without showing it in a blatant or
gratuitous way, as most Hollywood films are. That is just one example. There are many places in this film where you can pause it, and the shot is like a painting. One in particular is the shot of the mother looking out over the hillside with her dog. I
also loved the way Tarkovsky shifts back and forth from black and white to color. It, at first, seems simply a way to symbolize past and present, but as the film progresses we realize that it is much more complex than that and that it is more about memory
and state of mind. I would recommend this film to anyone who has the patience to truly invest themselves in almost 3 hours of painterly film-making. Its a film to think about over a long period of time. You won't immediately come out of it knowing what
you think, but it will creep up on you.
Storyline: The Solaris mission has established a base on a planet that appears to host some kind of intelligence, but the details are hazy and very secret. After the mysterious demise of one of the three scientists on the base, the main character
is sent out to replace him. He finds the station run-down and the two remaining scientists cold and secretive. When he also encounters his wife who has been dead for ten years, he begins to appreciate the baffling nature of the alien intelligence. Written by Dan Ellis
Cast Notes: Natalya Bondarchuk (Hari), Donatas Banionis (Kris Kelvin), Jüri Järvet (Dr. Snaut), Vladislav Dvorzhetskiy (Henri Berton), Nikolay Grinko (Kelvin's Father), Anatoliy Solonitsyn (Dr. Sartorius), Olga Barnet (Kris Kelvin's Mother).
User Comment: gaddis from california, 19 January 1999 • I'm just starting out into the vast world of foreign film and having seen this film on many a video store shelf, and knowing that it was considered a sci-fi classic, I thought it
would be a good way to spend an evening. Based on the case I was expecting something along the line of typical American sci-fi. Needless to say I was wrong.
I watched Solyaris twice in two days, because the first time I saw it I knew that I hadn't processed even a quarter of what I knew was there. I was taken completely aback. The second viewing was extremely rewarding.
It was unusual for me, raised as I was on the sledgehammer moralizing and we'll make our point so obvious that there's no way you can miss it because we have no respect for your intelligence way of American film. I'm a huge literature buff, and this was
one of the very few films I've confronted that is thoughtful and has so many things to say yet does it in a literary or poetic fashion.
You will get out of this film what you bring to it. I've been to so many movies where the audience is not actually participating, it's being attacked. But true art is not domineering; it woos you.
So to sum up, I greatly appreciated Tarkovsky's unwillingness to manipulate the viewer. It showed that he had respect for me as a thinking soul, and it is this love and respect for humanity which makes this a truly great film.
Summary: had to watch it twice.
User Comment: McGonigle from bean world, massachusetts, 16 June 2003 • This has to be one of the best science fiction movies ever produced. Not because it's filled with gee-whiz gizmos or creepy aliens (it isn't) but because it actually
gives you something to think about besides "I wonder how much they spent on *that* shot". When I was a kid, I used to love reading sci-fi because it stimulated my imagination, but as I grew up (especially once "Star Wars" came out), I found that it was
harder and harder to find anything remotely resembling imagination or mystery in the genre.
Well, this movie has restored my faith in what is possible to achieve under the guise of "sci-fi" (obviously, it's older than "Star Wars", but I didn't see it until years later, when I had basically written off the whole idea of science fiction movies). I
saw it 10-15 years ago when it was re-released in the USA and liked it then, but seeing it again recently has convinced me that this is an all-time classic. As I said, it actually stimulates thought (rare enough in most sci-fi movies), but on top of that,
it has a real and profound emotional impact that's far beyond what you find in most "dramas", let alone "kid stuff" like sci-fi. If this movie is intended to be an "answer" to "2001" (I'm not convinced that it is), the main contrast is that "Solaris"
concerns itself with real human emotions, whereas the most interesting character in "2001" is the computer.
For those who complain that it's boring, just go see something else. You'll obviously never get it. If the opening shot of water and plant life didn't tip you off to the fact that this movie is intentionally paced a little bit more deliberately than, say,
"Buckaroo Banzai", then you should go out and try to get some sort of clue before watching this movie. It's not boring... it's SLOW. It's *meant* to be slow. Some of the scenes exist solely to set a mood, not to advance the plot. If you can't handle that,
then this isn't the movie or you. But if you're able to sit still for 3 hours without squirming, and if you're able to enjoy a movie without having every idea spelled out in giant neon letters, then you just might like "Solaris", and find that it haunts
you for years to come.
Summary: One of the best.
Recommendation: Arguably one of the greatest and most influential science fiction films ever made, Andrei Tarkovsky's Solaris does not need to be promoted or recommended; it simply belongs in any serious film library.
Solaris (the novel) [Wikipedia]
Solaris is a 1961 Polish science fiction novel by Stanislaw Lem. The book is about the ultimate inadequacy of communication between human and non-human species.
In probing and examining the oceanic surface of the planet Solaris from a hovering research station the human scientists are, in turn, being studied by the sentient planet itself, which probes for and examines the thoughts of the human beings who are
analyzing it. Solaris has the ability to manifest their secret, guilty concerns in human form, for each scientist to personally confront.
Solaris is one of Lem’s philosophic explorations of man’s anthropomorphic limitations. First published in Warsaw in 1961, the 1970 Polish-to-French-to-English translation of Solaris is the best-known of Lem's English-translated works.
[Show Spoiler][Hide Spoiler]
In Solaris, a space station hovers over a mysterious ocean planet, which despite decades of research has remained unknowable to its observers. Worse, the only data scientists on Earth have received from the station has been borderline nonsensical, and
eyewitness reports of impossible beings on the planet's surface from people who've been there are dismissed as hallucinations. A psychologist from Earth makes the journey to Solaris to examine the state of the crew, and decide if observations should
continue. But upon arrival, he too begins to experience impossible phenomena: phantoms flicker in his vision; his long-dead wife appears to him, miraculously revived. Though the psychologist knows she can't be real, and must be a vision produced by
Solaris, the manifestation becomes as compelling as the real thing.
Solaris' ending, in which the psychologist appears to be back on Earth after his mission—only for it to be revealed that his perfect patch of Earth is an island adrift in Solaris' endless sea—has long fascinated viewers with its ambiguity. In deciding
whether or not to remain above Solaris or return home, it appears that the psychologist has chosen to fall into Solaris and replicate his ideal Earth. But why? The reason is offered by one of the scientists on the station, who's spent years above the
planet. Speaking on behalf of humanity, he says we have no desire to "conquer any cosmos." "We don't need other worlds," he says. "We need a mirror.
IMDb Rating (08/18/12): 8.0/10 from 28,720 users
Additional information |
Copyright: |
1972, Criterion |
Features: |
• Deleted and Alternate Scenes - a gallery of various sequences which were part of the film's original version, but were cut by director Andrei Tarkovsky when Solaris was prepared for the Cannes Film Festival.
For years, the original version of the film was kept in the Russian film archive Gosfilmofond. In Russian, with optional English subtitles. (25 min, 1080i).
-- Opening Text
-- Berton's Flight
-- Kris's Takeoff From Earth
-- Something to Eat
-- Beginning of Part Two
-- Kris and Hari's Meal
-- Kris's Delirium/The Mirror Room
-- Mother
-- Further Philosophy
• Natalya Bondarchuk - the daughter of legendary Soviet director Sergei Bondarchuk (War and Peace) recalls her first encounter with director Andrei Tarkovsky, her work with director Larisa Shepitko, and her contribution to
Solaris. The actress also discusses the Russian director's legacy. In Russian, with optional English subtitles. (33 min, 1080i).
• Vadim Yusov - legendary cinematographer Vadim Yusov, who worked with director Andrei Tarkovsky on The Steamroller and the Violin, Ivan's Childhood, Andrei Rublev, and Solaris, discusses his relationship
and collaborations with the Russian director. In Russian, with optional English subtitles. (34 min, 1080i).
• Mikhail Romadin - production designer Mikhail Romadin recalls his work on Andrei Rublev and later on Solaris. In Russian, with optional English subtitles. (17 min, 1080i).
• Eduard Artemyev - director Andrei Tarkovsky did not want a conventional music score for Solaris; rather, he wanted a collection of sounds that imitated nature's sounds. Eduard Artemyev recalls how the film's unique electronic
soundtrack came to exist. (22 min, 1080i).
• Stanislaw Lem - an excerpt from a Polish television documentary, which discusses Stanislaw Lem's best-selling novel and the writer's attitude towards director Andrei Tarkovsky's film. In Polish, with optional English subtitles. (5
min, 1080i).
• Commentary - an audio commentary with film scholars Vida Johnson and Graham Petrie, coautors of The Films of Andrei Tarkovsky: A Visual Fugue. The commentary was recorded exclusively for Criterion in 2002 and also appears on
their SDVD release of Solaris.
• Booklet - 20-page illustrated booklet featuring Phillip Lopate's essay "Inner Space" and Akira Kurosawa's "Tarkovsky and Solaris" (this piece was originally published in the May 13, 1977, evening edition of Japan's Asahi
shimbun newspaper). |
Subtitles: |
English |
Video: |
Widescreen 2.35:1 Color Screen Resolution: 1080p Original aspect ratio: 2.39:1 |
Audio: |
RUSSIAN: Dolby Digital Stereo
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Time: |
2:47 |
DVD: |
# Discs: 1 -- # Shows: 1 |
UPC: |
715515067812 |
Coding: |
[V4.0-A4.0] MPEG-4 AVC |
D-Box: |
No |
Other: |
Producers: Viacheslav Tarasov; Directors: Andrei Tarkovsky; Writers: Andrei Tarkovsky, Fridrikh Gorenshtein; running time of 167 minutes; Chapters: 33; Packaging: Custom Case.
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